@book {huhn_facing_2016,
	title = {Facing Loss and Death: Narrative and Eventfulness in Lyric Poetry},
	year = {2016},
	note = {Google-Books-ID: j3vqDAAAQBAJ},
	month = {aug},
	publisher = {Walter de Gruyter GmbH \& Co KG},
	organization = {Walter de Gruyter GmbH \& Co KG},
	abstract = {This study proposes the application of the methodology of narratology to the analysis of lyric poetry, specifically focusing on the progression and eventful turns in poems. The fruitfulness of this approach is demonstrated by the analyses of English poems from different periods addressing the traumatic experience of loss (death of a beloved person, one{\textquoteright}s own imminent death, loss of a stabilizing order) and employing various coping strategies.},
	keywords = {Language Arts \& Disciplines / General, Literary Criticism / General},
	isbn = {978-3-11-048498-4},
	author = {H{\"u}hn, Peter}
}
@book {pettersson_how_2016,
	title = {How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination},
	year = {2016},
	note = {Google-Books-ID: 8OUXDQAAQBAJ},
	publisher = {Walter de Gruyter},
	organization = {Walter de Gruyter},
	address = {Berlin},
	abstract = {How Literary Worlds Are Shaped studies a wide variety of literature across cultures and ages. The main aim is to show that literature all over the world has for millennia employed an array of related themes and techniques. By its broad scope and detailed analysis, this volume offers the first extensive comparative account of the makings of literary worlds.},
	keywords = {Language Arts \& Disciplines / General, Literary Criticism / General},
	isbn = {978-3-11-048631-5},
	author = {Pettersson, Bo}
}
@book {babka_narrative_2016,
	title = {Narrative im Bruch: Theoretische Positionen und Anwendungen},
	year = {2016},
	note = {Google-Books-ID: fHLpDAAAQBAJ},
	publisher = {V\&R Unipress},
	organization = {V\&R Unipress},
	address = {G{\"o}ttingen},
	abstract = {This book centers on narrative rupture, seeking to elucidate its role as a primary epistemological tool. Rupture can be conceived of as a {\textquoteleft}travelling concept{\textquoteright} (Bal 2002), as a basic cognitive instrument. On account of its elementary structure and rich semiotic implications, it has traversed academic time and space, serving ever more as an integral part of a wide variety of artistic, intellectual and ideological paradigms. This first volume of a series dealing with the relationship between narration and rupture approaches the concept of narrative disruption on a meta-methodological level. By laying the foundations for a general cultural theory of narrative rupture, we hope to contribute to the larger project of a narratology-based theory of culture.},
	keywords = {Language Arts \& Disciplines / General},
	isbn = {978-3-8470-0596-4},
	author = {Babka, Anna and Bidwell-Steiner, Marlen and M{\"u}ller-Funk, Wolfgang}
}
