@book {hven_cinema_2017,
	title = {Cinema and Narrative Complexity: Embodying the Fabula},
	year = {2017},
	publisher = {Amsterdam University Press},
	organization = {Amsterdam University Press},
	address = {Amsterdam},
	abstract = {Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies{\textemdash}including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films, among others, in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analyzing film. In light of that, Steffen Hven argues for the deployment of an {\textquotedblleft}embodied{\textquotedblright} reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.},
	isbn = {978-94-6298-077-8},
	author = {Hven, Steffen}
}
@book {harrison_cognitive_2017,
	title = {Cognitive Grammar in Contemporary Fiction},
	year = {2017},
	note = {Google-Books-ID: hbm_nQAACAAJ},
	month = {may},
	publisher = {John Benjamins Publishing Company},
	organization = {John Benjamins Publishing Company},
	abstract = {This book proposes an extension of Cognitive Grammar (Langacker 1987, 1991, 2008) towards a cognitive discourse grammar, through the unique environment that literary stylistic application offers. Drawing upon contemporary research in cognitive stylistics (Text World Theory, deixis and mind-modelling, amongst others), the volume scales up central Cognitive Grammar concepts (such as construal, grounding, the reference point model and action chains) in order to explore the attenuation of experience - and how it is simulated - in literary reading. In particular, it considers a range of contemporary texts by Neil Gaiman, Jennifer Egan, Jonathan Safran Foer, Ian McEwan and Paul Auster. This application builds upon previous work that adopts Cognitive Grammar for literary analysis and provides the first extended account of Cognitive Grammar in contemporary fiction.},
	keywords = {Literary Criticism / Semiotics \& Theory},
	isbn = {978-90-272-3415-5},
	author = {Harrison, Chloe}
}
@book {hansen_emerging_2017,
	title = {Emerging Vectors of Narratology},
	series = {Narratologia},
	number = {57},
	year = {2017},
	publisher = {De Gruyter},
	organization = {De Gruyter},
	address = {Berlin, Boston},
	abstract = {Narratology has been flourishing in recent years thanks to investigations into a broad spectrum of narratives, at the same time diversifying its theoretical and disciplinary scope as it has sought to specify the status of narrative within both society and scientific research. The diverse endeavors engendered by this situation have brought narrative to the forefront of the social and human sciences and have generated new synergies in the research environment.Emerging Vectors of Narratology brings together 27 state-of-the-art contributions by an international panel of authors that provide insight into the wealth of new developments in the field. The book consists of two sections. "Contexts" includes articles that reframe and refine such topics as the implied author, narrative causation and transmedial forms of narrative; it also investigates various historical and cultural aspects of narrative from the narratological perspective. "Openings" expands on these and other questions by addressing the narrative turn, cognitive issues, narrative complexity and metatheoretical matters.The book is intended for narratologists as well as for readers in the social and human sciences for whom narrative has become a crucial matrix of inquiry.},
	keywords = {comparative narrative studies, narrative cognition, narrative turn, Narratology},
	isbn = {978-3-11-055515-8},
	url = {https://www.degruyter.com/view/product/491438},
	author = {Hansen, Per Krogh and Pier, John and Roussin, Philippe and Schmid, Wolf}
}
@article {martinez_erzahlen_2017,
	title = {Erz{\"a}hlen und Wissen},
	journal = {DIEGESIS Interdisziplin{\"a}res. E-Journal f{\"u}r Erz{\"a}hlforschung},
	volume = {6},
	number = {1},
	year = {2017},
	url = {https://www.diegesis.uni-wuppertal.de/index.php/diegesis/issue/view/14},
	author = {Mart{\'\i}nez, Mat{\'\i}as and Scheffel, Michael},
	editor = {Sommer, Roy and Heinen, Sandra and Chihaia, Matei}
}
@book {kukkonen_prehistory_2017,
	title = {A Prehistory of Cognitive Poetics: Neoclassicism and the Novel},
	year = {2017},
	note = {Google-Books-ID: uOMwDgAAQBAJ},
	publisher = {Oxford University Press},
	organization = {Oxford University Press},
	address = {Oxford},
	abstract = {This study provides an introduction to the neoclassical debates around how literature is shaped in concert with the thinking and feeling human mind. Three key rules of neoclassicism, namely, poetic justice (the rewards and punishments of characters in the plot), the unities (the coherence of the fictional world and its extensions through the imagination) and decorum (the inferential connections between characters and their likely actions), are reconsidered in light of social cognition, embodied cognition and probabilistic, predictive cognition. The meeting between neoclassical criticism and today{\textquoteright}s research psychology, neurology and philosophy of mind yields a new perspective for cognitive literary study. Neoclassicism has a crucial contribution to make to current debates around the role of literature in cultural and cognition. Literary critics writing at the time of the scientific revolution developed a perspective on literature the question of how literature engages minds and bodies as its central concern. A Prehistory of Cognitive Poetics traces the cognitive dimension of these critical debates in seventeenth- and eighteenth-century Britain and puts them into conversation with today{\textquoteright}s cognitive approaches to literature. Neoclassical theory is then connected to the praxis of eighteenth-century writers in a series of case studies that trace how these principles shaped the emerging narrative form of the novel. The continuing relevance of neoclassicism also shows itself in the rise of the novel, as A Prehistory of Cognitive Poetics illustrates through examples including Pamela, Tom Jones and the Gothic novel.},
	keywords = {Irish, Literary Criticism / European / English, Literary Criticism / Modern / 18th Century, Scottish, Welsh},
	isbn = {978-0-19-065451-1},
	author = {Kukkonen, Karin}
}
@book {calame_tragechorale_2017,
	title = {Trag{\'e}die chorale : po{\'e}sie grecque et rituel musical},
	year = {2017},
	month = {may},
	publisher = {Les Belles Lettres},
	organization = {Les Belles Lettres},
	address = {Paris},
	abstract = {La trag{\'e}die grecque comme dramatisation du h{\'e}ros confront{\'e} {\`a} son implacable destin ? La trag{\'e}die attique comme expression m{\^e}me du {\guillemotleft} tragique {\guillemotright} ? {\`A}...},
	isbn = {978-2-251-44704-9},
	url = {https://www.lesbelleslettres.com/livre/2972-tragedie-chorale-poesie-grecque-et-rituel-musical},
	author = {Calame, Claude}
}
