@book {323, title = {Case, strip, action ! Les feuilletons en bandes dessin{\'e}es dans les magazines pour la jeunesse (1946-1959)}, year = {2017}, publisher = {infolio}, organization = {infolio}, abstract = {

\ Pr{\'e}curseurs des s{\'e}ries t{\'e}l{\'e}vis{\'e}es, les histoires {\`a} suivre qui paraissaient en bandes dessin{\'e}es dans des hebdomadaires pour la jeunesse tels que Le Journal de Tintin, Spirou ou Tarzan ont tenu en haleine les jeunes lecteurs de l{\textquoteright}apr{\`e}s-guerre et fa{\c c}onn{\'e} leur imaginaire, mais n{\textquoteright}ont {\`a} ce jour gu{\`e}re fait l{\textquoteright}objet d{\textquoteright}{\'e}tudes d{\'e}taill{\'e}es. Richement illustr{\'e}, cet ouvrage se propose de faire conna{\^\i}tre une production foisonnante et embl{\'e}matique de la culture populaire de la p{\'e}riode 1946-1959 en l{\textquoteright}envisageant sous l{\textquoteright}angle de l{\textquoteright}histoire de la bande dessin{\'e}e, de l{\textquoteright}{\'e}tude du r{\'e}cit et de l{\textquoteright}interm{\'e}dialit{\'e}. Les auteurs y soulignent notamment les liens entre BD et cin{\'e}ma, tant sur un plan th{\'e}orique (logique du feuilleton, rythme narratif, d{\'e}coupage de l{\textquoteright}action) qu{\textquoteright}analytique (adaptations de films en BD).

Alain Boillat est professeur {\`a} la Section d{\textquoteright}histoire et esth{\'e}tique du cin{\'e}ma de la Facult{\'e} des lettres de l{\textquoteright}Universit{\'e} de Lausanne. Ses derni{\`e}res recherches portent sur l{\textquoteright}histoire des liens entre bande dessin{\'e}e et cin{\'e}ma. Marine Borel r{\'e}alise actuellement une th{\`e}se de doctorat en linguistique fran{\c c}aise {\`a} l{\textquoteright}Universit{\'e} de Fribourg et {\`a} l{\textquoteright}Universit{\'e} de Lorraine. Rapha{\"e}l Oesterl{\'e} est licenci{\'e} en Histoire et esth{\'e}tique du cin{\'e}ma {\`a} l{\textquoteright}Universit{\'e} de Lausanne. Il m{\`e}ne une th{\`e}se sur les p{\'e}riodiques de bandes dessin{\'e}es francophones de l{\textquoteright}apr{\`e}s-guerre. Fran{\c c}oise Revaz est professeure de linguistique fran{\c c}aise {\`a} la Facult{\'e} des Lettres de l{\textquoteright}Universit{\'e} de Fribourg. Elle a fond{\'e}, avec R. Baroni, le R{\'e}seau Romand de Narratologie.

}, isbn = {978-2-88474-821-6}, issn = {978-2-88474-821-6}, url = {http://www.decitre.fr/livres/case-strip-action-9782884748216.html}, author = {Borel, Marine and Oesterl{\'e}, Rapha{\"e}l}, editor = {Boillat, Joanna and Revaz, Fran{\c c}oise} } @book {takashi_computational_2016, title = {Computational and Cognitive Approaches to Narratology}, year = {2016}, note = {Google-Books-ID: OfG0DAAAQBAJ}, publisher = {IGI Global}, organization = {IGI Global}, address = {Hershey PA}, abstract = {

Studying narratives is often the best way to gain a good understanding of how various aspects of human information are organized and integrated—the narrator employs specific informational methods to build the whole structure of a narrative through combining temporally constructed events in light of an array of relationships to the narratee and these methods reveal the interaction of the rational and the sensitive aspects of human information.Computational and Cognitive Approaches to Narratology discusses issues of narrative-related information and communication technologies, cognitive mechanism and analyses, and theoretical perspectives on narratives and the story generation process. Focusing on emerging research as well as applications in a variety of fields including marketing, philosophy, psychology, art, and literature, this timely publication is an essential reference source for researchers, professionals, and graduate students in various information technology, cognitive studies, design, and creative fields.

}, keywords = {Computers / Information Technology, Language Arts \& Disciplines / Communication Studies, Language Arts \& Disciplines / Rhetoric}, isbn = {978-1-5225-0433-7}, doi = {10.4018/978-1-5225-0432-0}, author = {Takashi, Ogata and Taisuke, Akimoto} } @book {hitzler_conceptual_2016, title = {Conceptual Structures in Practice}, year = {2016}, note = {Google-Books-ID: HxS6ktUMQNEC}, publisher = {CRC Press}, organization = {CRC Press}, address = {Boca Raton/London/New York}, abstract = {Exploring fundamental research questions, Conceptual Structures in Practice takes you through the basic yet nontrivial task of establishing conceptual relations as the foundation for research in knowledge representation and knowledge mining. It includes contributions from leading researchers in both the conceptual graph and formal concept analysis (FCA) communities. This accessible, self-contained book begins by providing the formal background in FCA and conceptual graphs. It then describes various software tools for analysis and computation, including the ToscanaJ suite. Written by the original visionaries of the field, the next section discusses the history and future directions of conceptual structures. The final chapters explore prominent application areas in computer science, including text analysis, web semantics, and intelligent systems. An unprecedented, state-of-the-art overview from innovators in the field, this volume discusses how FCA and conceptual graphs can be used in many computer science areas. It serves as a benchmark of research on conceptual structures, inspiring further exploration in this discipline.}, keywords = {Computers / Databases / Data Mining, Computers / Databases / General, Computers / General, Computers / Software Development \& Engineering / Systems Analysis \& Design, Technology \& Engineering / Automation, Technology \& Engineering / Electronics / General}, isbn = {978-1-4200-6063-8}, author = {Hitzler, Pascal and Scharfe, Henrik} } @article {van_lissa_difficult_2016, title = {Difficult Empathy. The Effect of Narrative Perspective on Readers{\textquoteright} Engagement with a First-Person Narrator}, journal = {DIEGESIS}, volume = {5}, number = {1}, year = {2016}, url = {https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/211}, author = {van Lissa, Caspar J. and Caracciolo, Marco and van Duuren, Thom and van Leuveren, Bram} } @book {huhn_facing_2016, title = {Facing Loss and Death: Narrative and Eventfulness in Lyric Poetry}, year = {2016}, note = {Google-Books-ID: j3vqDAAAQBAJ}, month = {aug}, publisher = {Walter de Gruyter GmbH \& Co KG}, organization = {Walter de Gruyter GmbH \& Co KG}, abstract = {This study proposes the application of the methodology of narratology to the analysis of lyric poetry, specifically focusing on the progression and eventful turns in poems. The fruitfulness of this approach is demonstrated by the analyses of English poems from different periods addressing the traumatic experience of loss (death of a beloved person, one{\textquoteright}s own imminent death, loss of a stabilizing order) and employing various coping strategies.}, keywords = {Language Arts \& Disciplines / General, Literary Criticism / General}, isbn = {978-3-11-048498-4}, author = {H{\"u}hn, Peter} } @book {wildfeuer_film_2016, title = {Film Text Analysis: New Perspectives on the Analysis of Filmic Meaning}, year = {2016}, note = {00000 Google-Books-ID: _hwxDQAAQBAJ}, publisher = {Routledge}, organization = {Routledge}, address = {New York}, abstract = {This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies in order to cover a wide range of international academic interest. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts.}, keywords = {Language Arts \& Disciplines / Linguistics / General, Performing Arts / Film \& Video / General, Social Science / Media Studies}, isbn = {978-1-317-43421-4}, author = {Wildfeuer, Janina and Bateman, John A.} } @book {pettersson_how_2016, title = {How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination}, year = {2016}, note = {Google-Books-ID: 8OUXDQAAQBAJ}, publisher = {Walter de Gruyter}, organization = {Walter de Gruyter}, address = {Berlin}, abstract = {How Literary Worlds Are Shaped studies a wide variety of literature across cultures and ages. The main aim is to show that literature all over the world has for millennia employed an array of related themes and techniques. By its broad scope and detailed analysis, this volume offers the first extensive comparative account of the makings of literary worlds.}, keywords = {Language Arts \& Disciplines / General, Literary Criticism / General}, isbn = {978-3-11-048631-5}, author = {Pettersson, Bo} } @article {306, title = {Introduction: Approaches to Fictional Dialogue}, journal = {International Journal of Literary Linguistics}, volume = {5}, year = {2016}, abstract = {

This special issue is devoted to a cross-disciplinary investigation of a specific literary phenomenon, fictional dialogue. Fictional dialogue is used to refer to passages of character-character conversation within a literary text. More specifically, the articles of the issue deal with fictional dialogue as a narrative mode in prose fiction. The issue aims to engender an appreciation and a better understanding of the workings of dialogue by drawing on the insights and methods from both literary studies and linguistics. These methods include a rhetorical-ethical approach to narrative, cognitive and {\textquotedblleft}natural{\textquotedblright} narratology, the study of everyday conversational storytelling, and Conversation Analysis (CA). Combining these methods helps us to understand that while dialogue is a central means to depict character-character relationships it also serves other levels of communication in a narrative and thus contributes to the reader{\textquoteright}s comprehension of the narrative design{\textquoteright}s rhetorical and ethical dimensions. The articles also suggest that while understanding dialogue depends partly on the reader{\textquoteright}s experiences of real-life conversation, the interpretation of dialogue is determined by the overall design of a literary text and the historically changing conventions.

}, doi = {http://dx.doi.org/10.15462/ijll.v5i2.56}, url = {http://www.ijll.uni-mainz.de/index.php/ijll/article/view/56}, author = {Koivisto, Aino and Nyk{\"a}nen, Elise} } @article {comoy_fusaro_introduction._2016, title = {Introduction. Nouveaux Contours \& D{\'e}tours}, journal = {Cahiers de Narratologie. Analyse et th{\'e}orie narratives}, number = {30}, year = {2016}, note = {00000}, abstract = {Ce num{\'e}ro des Cahiers de Narratologie pr{\'e}sente la deuxi{\`e}me livraison des actes du colloque transdisciplinaire et international de septembre 2015, {\guillemotleft}~Street Art. Contours \& D{\'e}tours~{\guillemotright}. Les six contributions r{\'e}unies ici, comme celles du num{\'e}ro 29, pr{\'e}sentent {\`a} la fois des essais th{\'e}oriques et des {\'e}tudes de cas. Ce num{\'e}ro apporte donc quelques nouvelles pierres {\`a} la mosa{\"\i}que des d{\'e}finitions du ph{\'e}nom{\`e}ne {\textendash}~et mouvement~{\textendash} qu{\textquoteright}est le street art~: mosa{\"\i}que ou kal{\'e}{\"\i}doscope, car c{\textquoteright}est un art in progress,...}, keywords = {Monde}, issn = {0993-8516}, url = {http://narratologie.revues.org/7468}, author = {Comoy Fusaro, Edwige} } @book {ryan_narrating_2016, title = {Narrating Space / Spatializing Narrative: Where Narrative Theory and Geography Meet}, year = {2016}, note = {Google-Books-ID: B9iTjgEACAAJ}, publisher = {Ohio State University Press}, organization = {Ohio State University Press}, address = {Columbus}, abstract = {Narrating Space / Spatializing Narrative: Where Narrative Theory and Geography Meet by Marie-Laure Ryan, Kenneth Foote, and Maoz Azaryahu offers a groundbreaking approach to understanding how space works in narrative and narrative theory and how narratives work in real space. Thus far, space has traditionally been viewed by narratologists as a backdrop to plot. This study argues that space serves important but under-explored narrative roles: It can be a focus of attention, a bearer of symbolic meaning, an object of emotional investment, a means of strategic planning, a principle of organization, and a supporting medium. Space intersects with narrative in two principal ways: {\textquoteright}{\textquoteright}Narrating space{\textquoteright}{\textquoteright} considers space as an object of representation, while {\textquoteright}{\textquoteright}spatializing narrative{\textquoteright}{\textquoteright} approaches space as the environment in which narrative is physically deployed. The inscription of narrative in real space is illustrated by such forms as technology-supported locative narratives, street names, and historical/heritage site and museum displays. While narratologists are best equipped to deal with the narration of space, geographers can make significant contributions to narratology by drawing attention to the spatialization of narrative. By bringing these two approaches together{\textendash}and thereby building a bridge between narratology and geography{\textendash}Narrating Space / Spatializing Narrative yields both a deepened understanding of human spatial experience and greater insight into narrative theory and poetic forms.}, keywords = {Language Arts \& Disciplines / Rhetoric, Literary Criticism / General, Social Science / Human Geography}, isbn = {978-0-8142-1299-8}, author = {Ryan, Marie-Laure and Foote, Kenneth and Azaryahu, Maoz} } @book {babka_narrative_2016, title = {Narrative im Bruch: Theoretische Positionen und Anwendungen}, year = {2016}, note = {Google-Books-ID: fHLpDAAAQBAJ}, publisher = {V\&R Unipress}, organization = {V\&R Unipress}, address = {G{\"o}ttingen}, abstract = {This book centers on narrative rupture, seeking to elucidate its role as a primary epistemological tool. Rupture can be conceived of as a {\textquoteleft}travelling concept{\textquoteright} (Bal 2002), as a basic cognitive instrument. On account of its elementary structure and rich semiotic implications, it has traversed academic time and space, serving ever more as an integral part of a wide variety of artistic, intellectual and ideological paradigms. This first volume of a series dealing with the relationship between narration and rupture approaches the concept of narrative disruption on a meta-methodological level. By laying the foundations for a general cultural theory of narrative rupture, we hope to contribute to the larger project of a narratology-based theory of culture.}, keywords = {Language Arts \& Disciplines / General}, isbn = {978-3-8470-0596-4}, author = {Babka, Anna and Bidwell-Steiner, Marlen and M{\"u}ller-Funk, Wolfgang} } @book {mikkonen_narratology_2016, title = {The Narratology of Comic Art}, year = {2016}, note = {Google-Books-ID: xq3vvQAACAAJ}, publisher = {Taylor \& Francis}, organization = {Taylor \& Francis}, address = {London}, abstract = {By placing comics in a lively dialogue with contemporary narrative theory, "The Narratology of Comic Art" builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.}, isbn = {978-1-138-22155-0}, author = {Mikkonen, Kai} } @article {langevin_polyphonies_????, title = {Polyphonies~: voix et valeurs du discours litt{\'e}raire : Introduction}, journal = {Arborescences}, number = {6}, year = {2016}, note = {00000}, pages = {1{\textendash}12}, issn = {1925-5357}, url = {http://www.erudit.org/revue/arbo/2016/v/n6/index.html}, author = {Langevin, Francis and Baroni, Rapha{\"e}l} } @book {reinerth_subjectivity_2016, title = {Subjectivity Across Media: Interdisciplinary and Transmedial Perspectives}, year = {2016}, note = {Google-Books-ID: pwNajwEACAAJ}, publisher = {Taylor \& Francis}, organization = {Taylor \& Francis}, abstract = {Maike Sarah Reinerth is a Research Associate at the Department of Media and Communication of the University of Hamburg, Germany Jan-Noel Thon is a Research Associate at the Department of Media Studies of the University of Tubingen, Germany"}, isbn = {978-1-138-18675-0}, author = {Reinerth, Maike Sarah and Thon, Jan-Nol} } @book {baroni_television_2016, title = {T{\'e}l{\'e}vision 7 : Repenser le r{\'e}cit avec les s{\'e}ries t{\'e}l{\'e}vis{\'e}es}, year = {2016}, note = {00000}, publisher = {CNRS}, organization = {CNRS}, address = {Paris}, abstract = {Depuis une vingtaine d{\textquoteright}ann{\'e}es, de nouvelles s{\'e}ries sont apparues dont on reconna{\^\i}t qu{\textquoteright}elles savent exploiter un formidable levier : une temporalit{\'e} ind{\'e}finie et ouverte. Les h{\'e}ros ne sont plus ces {\^e}tres monolithiques, insensibles au travail du temps, mais des individus qui vieillissent en m{\^e}me temps que nous. De nouvelles fa{\c c}ons d{\textquoteright}articuler les intrigues apparaissent, jouant sur les embo{\^\i}tements entre {\'e}pisodes, saisons et s{\'e}rie. Flashbacks et flashforwards, ench{\^a}ssements et jeux sur les points de vue nous donnent acc{\`e}s {\`a} de nouveaux modes de narration. Si les s{\'e}ries changent nos visions du monde, ce n{\textquoteright}est pas seulement par ce qu{\textquoteright}elles en disent, mais d{\textquoteright}abord par la fa{\c c}on dont elles le racontent. Ainsi, {\`a} leur mani{\`e}re, les s{\'e}ries nous obligent {\`a} repenser le r{\'e}cit.}, isbn = {978-2-271-09161-1}, url = {http://www.cnrseditions.fr/sociologie/7256-television-7.html}, editor = {Baroni, Rapha{\"e}l and Jost, Francois} } @book {324, title = {Th{\'e}{\^a}tre et r{\'e}cit, l{\textquoteright}impossible rupture - Narrativit{\'e} et spectacle postdramatique (1975-2004)}, series = {{\'E}tudes sur le th{\'e}{\^a}tre et les arts de la sc{\`e}ne}, number = {6}, year = {2016}, publisher = {Classiques Garnier}, organization = {Classiques Garnier}, address = {Paris}, abstract = {

L{\textquoteright}ouvrage propose une analyse nuanc{\'e}e de la po{\'e}tique non-narrative de trois artistes postdramatiques au cours des ann{\'e}es 1980 et 1990. {\`A} l{\textquoteright}appui de douze spectacles et de leur r{\'e}ception, l{\textquoteright}auteur y fait dialoguer narratologie contemporaine, {\'e}critures th{\'e}{\^a}trales et intuitions narratives. This work offers a nuanced analysis of the non-narrative poetics of three post-dramatic artists in 1980 and 1990. Drawing on twelve performances and how they were received, the author sets up a dialogue between contemporary narratology, dramatic writing and narrative intuitions.

}, isbn = {978-2-406-06007-9}, url = {https://www.classiques-garnier.com/editions/index.php?option=com_virtuemart\&page=shop.product_details\&flypage=flypage_garnier.tpl\&product_id=2580}, author = {Hennaut, Beno{\^\i}t} } @book {stewart_closed_2015, title = {Closed Circuits: Screening Narrative Surveillance}, year = {2015}, note = {Google-Books-ID: vBsjBgAAQBAJ}, publisher = {University of Chicago Press}, organization = {University of Chicago Press}, address = {Chicago}, abstract = {The recent uproar over NSA dataveillance can obscure the fact that surveillance has been part of our lives for decades. And cinema has long been aware of its power{\textemdash}and potential for abuse. In Closed Circuits, Garrett Stewart analyzes a broad spectrum of films, from M and Rear Window through The Conversation to D{\'e}j{\`a} Vu, Source Code, and The Bourne Legacy, in which cinema has articulated{\textemdash}and performed{\textemdash}the drama of inspection{\textquoteright}s unreturned look. While mainstays of the thriller, both the act and the technology of surveillance, Stewart argues, speak to something more foundational in the very work of cinema. The shared axis of montage and espionage{\textemdash}with editing designed to draw us in and make us forget the omnipresence of the narrative camera{\textemdash}extends to larger questions about the politics of an oversight regime that is increasingly remote and robotic. To such a global technopticon, one telltale response is a proliferating mode of digitally enhanced {\textquotedblleft}surveillancinema.{\textquotedblright}}, keywords = {Art / Film \& Video, Literary Criticism / General, Performing Arts / Film \& Video / History \& Criticism, Performing Arts / General}, isbn = {978-0-226-20135-1}, author = {Stewart, Garrett} } @book {henderson_creating_2015, title = {Creating Legal Worlds: Story and Style in a Culture of Argument}, year = {2015}, note = {Google-Books-ID: pLDoCQAAQBAJ}, publisher = {University of Toronto Press}, organization = {University of Toronto Press}, address = {Toronto}, abstract = {A legal judgment is first and foremost a story, a narrative of facts about the parties to the case. Creating Legal Worlds is a study of how that narrative operates, and how rhetoric, story, and style function as integral elements of any legal argument. Through careful analyses of notable cases from Canada, the United States, and the United Kingdom, Greig Henderson analyses how the rhetoric of storytelling often carries as much argumentative weight within a judgement as the logic of legal distinctions. Through their narrative choices, Henderson argues, judges create a normative universe - the world of right and wrong within which they make their judgements - and fashion their own judicial self-images. Drawing on the work of the law and literature movement, Creating Legal Worlds is a convincing argument for paying close attention to the role of story and style in the creation of judicial decisions.}, keywords = {History / General, Law / Administrative Law \& Regulatory Practice, Law / Jurisprudence}, isbn = {978-1-4426-3708-5}, author = {Henderson, Greig} }